Sights and Sounds

Cheyenne Social Club

Harley Sullivan: What kind of business you figure your brother left you?
John O'Hanlan: Well, the letter don't say - but that's just like a lawyer. They don't tell you no more than it takes to confuse you. But it's a... something called the Cheyenne Social Club.

 

After receiving a letter informing him of the death of his brother John O’Hanlan (James Stewart) leaves his position as a hired hand on a cattle drive to take over the Cheyenne Social Club the business his brother left him in his will.  It might seem obvious to us by the name of the business and the movie just exactly what the nature of the business is, but this is a story about a more innocent time and John O’Hanlan is a more innocent man.  He is joined on his trek across the country and into Cheyenne by his good friend Harley (Henry Fonda).  The film which was directed by Gene Kelly moves fluidly through the story from one situation to another.  Low Key” may be the best way to describe this film about a man of high morals, and a kind heart who suddenly finds himself the owner of the most famous brothel in Wyoming. 

The Great Race

A while back I posted an entry about the 1965 movie Those Magnificent Men and their Flying Machines. In that post, I mentioned another film that came out the same year called The Great Race. While I am entranced by the old planes in Those Magnificent Men in Their Flying machines, The Great Race is really my favorite of the two.  The film stars Tony Curtis as “The Great Leslie,” a stereotype 1910 pure as gold hero in white and Jack Lemmon as Professor Fate, a stereotype 1910 pure villain in black and tells the story of their race around the world by automobile. Leslie and Professor Fate are not the only cars racing.  The race starts with a much larger pack of automobiles;

Arsenic and Old Lace

Mortimer Brewster’s aunts Abby and Martha are two of the kindest, most loving women you could ever hope to meet.  They are always willing to help others and always seemed to have a kind word for everyone.  They raised Mortimer and his brothers Jonathan and Teddy from a young age.  Mortimer has developed into a well-rounded young man who works for the city’s paper reviewing the theatre.  Brother Teddy, while harmless, suffers from the delusion that he is President Theodore Roosevelt. Brother Jonathan, well, the less said about him the better.  He was the type of child who enjoyed pulling the wings off of flies and the legs off of spiders.     The “fun” begins when Mortimer is excitedly preparing to share the good news of his coming engagement to the girl next door rather unexpectedly finds a dead body in the window box seat of his Aunts’ home.  Later that same night his brother Jonathan returns home after a long absence; who after numerous face changing surgeries looks a great deal like the actor Boris Karloff. With him comes an alcoholic plastic surgeon and another dead body.  Meanwhile, Teddy seems to be digging body sized locks for the Panama Canal in the basement. 

The Man From U.N.C.L.E. (Television Series)

The 1960’s was the time of the “Cold War” and the “Iron Curtain” Both of these terms were indicative of our relationship with Russia during those years.  We may not have been in a shooting war, but we were very much at odds with them in terms of our political philosophies and both countries were very much concerned that these differing political philosophies would spread or worse contaminate their own people. So it is surprising that one of the most popular spy shows on television in the sixties featured an organization made up of agents from many different countries with no regard to the political affiliation or beliefs of their home countries.  In fact, the organization's two top agents and their best team consisted of American agent Napoleon Solo (Robert Vaughn) and Russian agent Illya Kuryakin (David McCallum).  The series was known as “The Man from U.N.C.L.E.” and it was popular enough to spawn several made-for-TV movies, a spin-off series known as “The Girl from U.N.C.L.E,” and an attempted movie reboot in 2015.   

Those Magnificent Men and their Flying Machines

In 1965, there were two racing comedies released both of them set during the first 10 years of 1900’s.  The more popular of two was “The Great Race,” which was about an around the world automobile race; the second was Those Magnificent Men and their Flying Machines, about an air race between London and Paris in very early  and flimsy aircraft.  While I will admit there is something special about The Great Race and it certainly had more stars who were known in the United States, Those Magnificent Men and their flying Machines had something the other did not … History.

What do I mean by history?  First of all, there is the light-hearted review of man’s attempts to fly featuring the comic skills of Red Skelton mixed with historic footage of some of the more outrageous of man’s attempts and failures to fly before the opening credits.  You are not likely to see more historical film footage of man’s failed attempts to fly in another movie.  But of even greater interest to someone like me is that every plane used in the film was a recreation of a historic airplane from the birth of aviation.  In a few cases, they added some safety devices or a small change was made to better protect the pilots, but the planes did fly, or, at least, those that were supposed to fly did, and they were actually flown for the movie’s footage.

The Blob (1958)

If the stories I’ve heard are true there is a five-gallon bucket somewhere in the United States that contains a batch of red silicone still moist from the 1958 production of The Blob.   Supposedly it is brought out and displayed at the annual Blobfest in Phoenixville PA where many of the scenes for the movie were shot.   The Blob is one of many science fiction movies of the 1950’s that told of some unknown horror coming from outer space that endangers the world.  A lot of these were extremely low budget and featured extremely bad special effects even taking into account the time they were produced. 

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